Hitting The High Notes is town planning’s equivalent of Desert Island Discs. In these episodes Sam Stafford chats to preeminent figures in the planning and property sectors about the six planning permissions or projects that helped to shape them as professionals. And, so that we can get to know people a little better personally, for every permission or project Sam asks his guests for a piece of music that reminds them of that period of their career.
Unlike Desert Island Discs you will not hear any of that music during the episode because using commercially-licensed music without the copyright holders permission or a very expensive PRS licensing agreement could land Sam in hot water, so, when you have finished listening to this episode, you will have to make do with YouTube videos and a Spotify playlist, links to which you will find below.
Sam’s guest for this episode of Hitting The High Notes is Paul Barnard MBE, Plymouth City Council. Paul is Service Director for Strategic Planning & Infrastructure, his fifteenth job title at Plymouth City Council. Their conversation takes in hostels for the homeless; the Single Regeneration Budget; the importance of both a vision and a political consensus; and distributing CIL via the Crowdfunder platform.
Paul’s song selections:
- Rubicon by Killing Joke
- Shadowplay by Joy Division
- Home by Depeche Mode
- This is the Day by The The
- Gnossiennes by Erik Satie
- A Night Like This by The Cure
- This must be the place by Talking Heads
BECG proudly supports the 50 Shades of Planning Podcast from Samuel Stafford, Regional Strategic Land Director at Barratt Developments.